Poetry in Scots
Poetry in the Scots language began to be written down in the 14th century, beginning with John Barbour’s ‘The Brus’, and continuing through the makars of the 15th and 16th centuries. The poetic revival of the 18th century led to the work of Robert Burns, and many others, and Scots poetry has continued to be composed in both general and regional forms down to the present day. Poetry probably remains the most common medium by which most Scottish people experience the fullness of Scots as a language and as a written, literary tradition. This section of the website contains articles related to the various traditions of writing poetry in Scots and, in particular, our Poem of the Month, as recommended by the Scottish Poetry Library in Edinburgh. The Scots Language Centre has a growing collection of audio and video material related to poetry in Scots, so please check it out.
Poem of the Month
The Ghaists, A Kirk-Yard Eclogue
WHERE the braid planes in dowie murmurs wave
Their ancient taps out-owre the cauld-clad grave,
Where Geordie Girdwood, mony a lang spun day,
Houkit for gentles' banes the humblest clay,
Twa sheeted ghaists, sae grizly an' sae wan,
'Mang lanely tombs their douff discourse began.
WATSON
Cauld blaws the nippin' North wi' angry sough,
An' showers his hailstanes frae the Castle Cleugh
Owre the Grayfriars, where, at mirkest hour,
Bogles an' spectres wont to tak their tour,
Harlin' the pows an' shanks to hidden cairns,
Amang the hemlocks wild, an' sun-burnt ferns;
But nane the night, save you an' I, hae come
Frae the dear mansions o' the midnight tomb.
Now when the dawnin's near, when cock maun craw,
An' wi' his angry bougil, gar's withdraw,
Ayont the kirk we'll stap, and there tak bield,
While the black hours our nightly nightly freedom yield.
HERIOT
I'm weel content; but binna cassen down,
Nor trow the cock will ca' ye hame owre soon;
But, though the eastern lift betokens day,
Changing her rokelay black for mantle grey,
Nae weirlike bird our knell of parting rings,
Nor sheds the cauler moisture frae his wings.
Nature has chang'd her course; the birds o' day
Dozin' in silence on the bending spray,
While owlets round the craigs at noontide flee,
An' bluidy hawks sit singin' on the tree.
Ah, Caledon! The land I ance held dear,
Sair maen mak I for thy destruction near:
An' thou, Edina! Ance my dear abode,
When royal Jamie sway'd the sovereign rod,
In thae blest days, weel did I think bestow'd
To blaw they poortith by wi' heaps o' gowd;
To mak thee sonsy seem wi' mony a gift,
An' gar thy stately turrets speel the lift.
In vain did Danish Jones, wi' gimgrack pains,
In Gothic sculpture fret the pliant stanes;
In vain did he affix my statue here,
Brawly to busk wi' flowers ilk coming year:
My towers are sunk; my lands are barren now;
My fame, my honour, like my flowers, maun dow.
WATSON
Sure, Major Weir, or some sic warlock wight,
Has flung beguilin' glamour owre your sight;
Or else some kittle cantrip thrown, I ween,
Has bound in mirlygoes my ain twa een;
If ever aught frae sense cou'd be believ'd
(An seenil hae my senses been deceiv'd),
This moment owre the tap o' Adam's tomb,
Fu' easy can I see your chiefest dome.
Nae corbie fleein' there, nor croupin craws,
Seem to forspeak the ruin o' thy ha's;
But a' your towers in the wonted order stand,
Steeve as the rocks that hem our native land.
Robert Fergusson (1751-1774)
Poem selected by The Scottish Poetry Library
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